{"id":1487,"date":"2020-04-28T14:12:44","date_gmt":"2020-04-28T14:12:44","guid":{"rendered":"https:\/\/www.marieclaudefelton.com\/?page_id=1487"},"modified":"2020-05-27T14:35:16","modified_gmt":"2020-05-27T14:35:16","slug":"maitres-de-leurs-ouvrages","status":"publish","type":"page","link":"https:\/\/www.marieclaudefelton.com\/fr\/maitres-de-leurs-ouvrages\/","title":{"rendered":"Ma\u00eetres de leurs ouvrages"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#141414″ bg_image=\u00a0\u00bb946″ bg_position=\u00a0\u00bbleft top\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb 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Ma\u00eetres de leurs ouvrages<\/h2>\n

L’\u00e9dition \u00e0 compte d’auteur \u00e0 Paris aux XVIII\u00e8 si\u00e8cle[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574866269664{margin-bottom: 5px !important;}\u00a0\u00bb]\n

<\/h5>\n
Oxford University Studies in the Enlightenment (Oxford, Voltaire Foundation, 2014)<\/h5>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574867093740{margin-bottom: 30px !important;padding-right: 10% !important;}\u00a0\u00bb max_width=\u00a0\u00bb550″]Marie-Claude Felton, Ph.D.<\/p>\n

Pr\u00e9face de Roger Chartier<\/p>\n

Au XVIIIe si\u00e8cle, les libraires jouissent d’un monopole in\u00e9gal\u00e9 sur le monde du livre \u00e0 Paris, laissant peu de place aux auteurs qui souhaitent profiter seuls du fruit de leur travail. Toutefois, le vent tourne en 1777: les auteurs acqui\u00e8rent enfin le droit d’\u00e9diter et de vendre leurs propres ouvrages sans l’interm\u00e9diaire d’un libraire. Bien que les risques associ\u00e9s \u00e0 l’\u00e9dition autonome \u2212 longtemps sous-estim\u00e9e par l’historiographie \u2212 aient \u00e9t\u00e9 r\u00e9els, cette pratique fait partie du cheminement de quelques centaines d\u2019auteurs avant la R\u00e9volution.<\/p>\n

Apr\u00e8s avoir explor\u00e9 les diff\u00e9rents discours traitant de l\u2019\u00e9mergence de l\u2019auteur moderne, ma\u00eetre de son ouvrage, Marie-Claude Felton d\u00e9montre comment des \u00e9crivains de tous horizons, du plumitif au philosophe, choisissent de garder une mainmise sur les droits et les retomb\u00e9es de leurs \u0153uvres. Elle r\u00e9v\u00e8le aussi que les auteurs-\u00e9diteurs, sensibles \u00e0 la qualit\u00e9 mat\u00e9rielle des livres imprim\u00e9s \u00e0 leurs frais, en assurent la diffusion tant par le recours \u00e0 la publicit\u00e9 que par l’organisation des ventes \u00e0 domicile.<\/p>\n

Gr\u00e2ce \u00e0 une analyse minutieuse et originale, Marie-Claude Felton apporte une contribution importante \u00e0 l\u2019histoire du livre et jette un regard neuf sur la place insoup\u00e7onn\u00e9e qu\u2019occupent les auteurs sur le march\u00e9 litt\u00e9raire d\u2019Ancien R\u00e9gime.[\/vc_column_text][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.amazon.ca\/-\/fr\/Marie-claude-Felton\/dp\/0729410811″ text=\u00a0\u00bbAMAZON\u00a0\u00bb margin_top=\u00a0\u00bb15″][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttp:\/\/ebiz.turpin-distribution.com\/product.aspx?IndustryCode=9780729410816&fbclid=IwAR3xnr6Nnu8HG83O4LlOuQj7K3wpnui4srYu5HHVI4j-GaqIavbDxuNHr84″ text=\u00a0\u00bbTURPIN DISTRIBUTION\u00a0\u00bb margin_top=\u00a0\u00bb15″][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#141414″ bg_image=\u00a0\u00bb748″ bg_position=\u00a0\u00bbleft top\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb9%\u00a0\u00bb bottom_padding=\u00a0\u00bb8%\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb color_overlay=\u00a0\u00bb#212121″ overlay_strength=\u00a0\u00bb0.8″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb centered_text=\u00a0\u00bbtrue\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1574867984548{margin-bottom: 5px !important;}\u00a0\u00bb]\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574867326075{padding-right: 5% !important;}\u00a0\u00bb]\n

Comptes rendus et critiques<\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb3%\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbgrow-in\u00a0\u00bb][nectar_single_testimonial testimonial_style=\u00a0\u00bbbasic\u00a0\u00bb image=\u00a0\u00bb756″ quote=\u00a0\u00bbThis is a thorough and carefully-constructed book, and it makes significant contributions to our understanding of publishing practices and the myriad issues relating to changing conceptions of literary property. It will probably remain the definitive treatment of self-publishing and of the population of self-publishing authors in late eighteenth-century Paris for a long time.\u00a0\u00bb name=\u00a0\u00bbH-France Review\u00a0\u00bb subtitle=\u00a0\u00bbScholarly organization for Francophone history and culture in the Anglophone world\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb 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livre en France au XVIIIe si\u00e8cle `{`\u2026`}` Il para\u00eet particuli\u00e8rement actuel pour notre \u00e8re du num\u00e9rique o\u00f9 tout un chacun peut devenir auteur gr\u00e2ce aux maisons d\u2019\u00e9dition dites \u201calternatives\u201d.\u00a0\u00bb name=\u00a0\u00bbStudi Francesi\u00a0\u00bb subtitle=\u00a0\u00bbItalian journal founded by Franco Simone in 1957 and published by Rosenberg & Sellier, examines French literature and cultural history\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb 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