{"id":1529,"date":"2020-04-28T15:22:39","date_gmt":"2020-04-28T15:22:39","guid":{"rendered":"https:\/\/www.marieclaudefelton.com\/?page_id=1529"},"modified":"2020-05-26T17:58:57","modified_gmt":"2020-05-26T17:58:57","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.marieclaudefelton.com\/fr\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#141414″ bg_image=\u00a0\u00bb946″ bg_position=\u00a0\u00bbleft top\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb9%\u00a0\u00bb bottom_padding=\u00a0\u00bb8%\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb color_overlay=\u00a0\u00bb#212121″ overlay_strength=\u00a0\u00bb0.8″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][image_with_animation image_url=\u00a0\u00bb740″ animation=\u00a0\u00bbFade In\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column_text css=\u00a0\u00bb.vc_custom_1590515905864{padding-right: 5% !important;}\u00a0\u00bb]\n

Liste compl\u00e8te des publications plus bas<\/strong><\/p>\n

Ma\u00eetres de leurs ouvrages<\/h2>\n

L’\u00e9dition \u00e0 compte d’auteur \u00e0 Paris aux XVIIIe si\u00e8cle<\/h4>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574866269664{margin-bottom: 5px !important;}\u00a0\u00bb]\n

<\/h5>\n
Oxford University Studies in the Enlightenment (Oxford, Voltaire Foundation, 2014)<\/h5>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574867093740{margin-bottom: 30px !important;padding-right: 10% !important;}\u00a0\u00bb max_width=\u00a0\u00bb550″]Marie-Claude Felton, Ph.D.<\/p>\n

Pr\u00e9face de Roger Chartier<\/strong><\/h4>\n

R\u00e9sum\u00e9 :<\/p>\n

Au XVIIIe si\u00e8cle, les libraires jouissent d’un monopole in\u00e9gal\u00e9 sur le monde du livre \u00e0 Paris, laissant peu de place aux auteurs qui souhaitent profiter seuls du fruit de leur travail. Toutefois, le vent tourne en 1777: les auteurs acqui\u00e8rent enfin le droit d’\u00e9diter et de vendre leurs propres ouvrages sans l’interm\u00e9diaire d’un libraire. Bien que les risques associ\u00e9s \u00e0 l’\u00e9dition autonome \u2212 longtemps sous-estim\u00e9e par l’historiographie \u2212 aient \u00e9t\u00e9 r\u00e9els, cette pratique fait partie du cheminement de quelques centaines d\u2019auteurs avant la R\u00e9volution.<\/p>\n

Apr\u00e8s avoir explor\u00e9 les diff\u00e9rents discours traitant de l\u2019\u00e9mergence de l\u2019auteur moderne, ma\u00eetre de son ouvrage, Marie-Claude Felton d\u00e9montre comment des \u00e9crivains de tous horizons, du plumitif au philosophe, choisissent de garder une mainmise sur les droits et les retomb\u00e9es de leurs \u0153uvres. Elle r\u00e9v\u00e8le aussi que les auteurs-\u00e9diteurs, sensibles \u00e0 la qualit\u00e9 mat\u00e9rielle des livres imprim\u00e9s \u00e0 leurs frais, en assurent la diffusion tant par le recours \u00e0 la publicit\u00e9 que par l’organisation des ventes \u00e0 domicile.<\/p>\n

Gr\u00e2ce \u00e0 une analyse minutieuse et originale, Marie-Claude Felton apporte une contribution importante \u00e0 l\u2019histoire du livre et jette un regard neuf sur la place insoup\u00e7onn\u00e9e qu\u2019occupent les auteurs sur le march\u00e9 litt\u00e9raire d\u2019Ancien R\u00e9gime.[\/vc_column_text][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.amazon.ca\/-\/fr\/Marie-claude-Felton\/dp\/0729410811″ text=\u00a0\u00bbAMAZON\u00a0\u00bb margin_top=\u00a0\u00bb15″][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ 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Extraits de comptes rendus<\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb3%\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbgrow-in\u00a0\u00bb][nectar_single_testimonial testimonial_style=\u00a0\u00bbbasic\u00a0\u00bb image=\u00a0\u00bb756″ quote=\u00a0\u00bbThis is a thorough and carefully-constructed book, and it makes significant contributions to our understanding of publishing practices and the myriad issues relating to changing conceptions of literary property. It will probably remain the definitive treatment of self-publishing and of the population of self-publishing authors in late eighteenth-century Paris for a long time.\u00a0\u00bb name=\u00a0\u00bbH-France Review\u00a0\u00bb subtitle=\u00a0\u00bbScholarly organization for Francophone history and culture in the Anglophone world\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbgrow-in\u00a0\u00bb delay=\u00a0\u00bb150″][nectar_single_testimonial testimonial_style=\u00a0\u00bbbasic\u00a0\u00bb image=\u00a0\u00bb757″ quote=\u00a0\u00bbFelton\u2019s study is tremendously informative, and her case for the significance of self-publishing in the last decades of the Old Regime in an inarguably strong and important one.\u00a0\u00bb name=\u00a0\u00bbJournal of Modern History\u00a0\u00bb subtitle=\u00a0\u00bbAcademic journal covering European intellectual, political, and cultural history, published by the University of Chicago Press\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb 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livre en France au XVIIIe si\u00e8cle `{`\u2026`}` Il para\u00eet particuli\u00e8rement actuel pour notre \u00e8re du num\u00e9rique o\u00f9 tout un chacun peut devenir auteur gr\u00e2ce aux maisons d\u2019\u00e9dition dites \u201calternatives\u201d.\u00a0\u00bb name=\u00a0\u00bbStudi Francesi\u00a0\u00bb subtitle=\u00a0\u00bbItalian journal founded by Franco Simone in 1957 and published by Rosenberg & Sellier, examines French literature and cultural history\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb 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du Bibliophile\u00a0\u00bb subtitle=\u00a0\u00bbThe Bulletin du Bibliophile, founded in 1834, is the oldest French magazine devoted to the book\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb 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La Police des m\u00e9tiers du livre \u00e0 Paris, au si\u00e8cle des Lumi\u00e8res<\/span><\/h2>\n

Historique des libraires et imprimeurs de Paris existans en 1752 de l’inspecteur Joseph d’H\u00e9mery<\/span><\/p>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574869516122{margin-bottom: 5px !important;}\u00a0\u00bb]\n

<\/h5>\n
Biblioth\u00e8que nationale de France, 2017<\/h5>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574869460965{margin-bottom: 30px !important;padding-right: 10% !important;}\u00a0\u00bb max_width=\u00a0\u00bb550″]Jean-Dominique Mellot, Marie-Claude Felton et \u00c9lisabeth Queval<\/p>\n

Pr\u00e9face de Robert Darnton<\/strong><\/h4>\n

Le policier \u00e0 l\u2019origine du document pr\u00e9sent\u00e9 ici, l\u2019inspecteur Joseph d\u2019H\u00e9mery (1722-1806), en charge notamment des affaires de librairie \u00e0 Paris de 1748 \u00e0 1773, semble \u00e0 premi\u00e8re vue tout droit sorti d\u2019un roman policier historique. Digne d\u2019une fiction romanesque, ce personnage n\u2019en a pas moins men\u00e9 une existence et une carri\u00e8re bien r\u00e9elles au sein de la police parisienne. D\u2019H\u00e9mery, homme d\u2019action et d\u2019information amen\u00e9 \u00e0 se sp\u00e9cialiser dans la surveillance de la librairie et des gens de lettres, est sans doute l\u2019un des protagonistes-cl\u00e9s de ce moment historique o\u00f9 la police de la capitale forge les outils qui vont lui permettre tout \u00e0 la fois d\u2019autonomiser ses pratiques et de se rendre indispensable au pouvoir central par ses facult\u00e9s d\u2019anticipation et de discr\u00e9tion. L\u2019Historique des libraires est un fichier issu de la tr\u00e8s riche collection Anisson-Dup\u00e9ron, conserv\u00e9e au d\u00e9partement des Manuscrits de la Biblioth\u00e8que nationale de France. Rarement prolixe mais souvent savoureux et \u00e9clairant, il constitue un t\u00e9moignage irrempla\u00e7able sur le regard qu\u2019a pu porter un responsable policier bien inform\u00e9 sur une corporation de m\u00e9diateurs culturels essentiels \u00e0 la fabrication de l\u2019opinion publique \u2013 et de ce fait particuli\u00e8rement sous contr\u00f4le \u2013, celle des libraires et imprimeurs de Paris au milieu du si\u00e8cle des Lumi\u00e8res. Derri\u00e8re chaque mot, chaque phrase, du fichier de d\u2019H\u00e9mery, m\u00eame la plus anodine, on discernera une d\u00e9licate appr\u00e9ciation du rapport implicite des forces qui, selon les cas, pourra motiver ou au contraire retenir le moment venu la suspicion et l\u2019action de la machine polici\u00e8re.
\nLe corpus original (261 notices d\u2019imprimeurs\/libraires parisiens, 11 de provinciaux et 1\u00a0d\u2019\u00e9tranger), a \u00e9t\u00e9 mis au jour, \u00e9clair\u00e9 de notes et compl\u00e9t\u00e9 par Jean-Dominique Mellot, historien, conservateur g\u00e9n\u00e9ral \u00e0 la Biblioth\u00e8que nationale de France, Marie-Claude Felton, historienne, chercheur \u00e0 l\u2019universit\u00e9 McGill \u00e0 Montr\u00e9al (Qu\u00e9bec, Canada), et \u00c9lisabeth Queval, biblioth\u00e9caire honoraire \u00e0 la BnF, avec la collaboration de Nathalie Aguirre, conservateur \u00e0 la BnF. Il est accompagn\u00e9 d\u2019une pr\u00e9face de Robert Darnton, \u00e9minent sp\u00e9cialiste des Lumi\u00e8res europ\u00e9ennes et de l\u2019histoire du livre sous l\u2019Ancien R\u00e9gime.[\/vc_column_text][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttp:\/\/editions.bnf.fr\/la-police-des-m%C3%A9tiers-du-livre-%C3%A0-paris-au-si%C3%A8cle-des-lumi%C3%A8res?fbclid=IwAR1oqDGeAK7dqL_Ls46FqhBgaKXDOEwyCUGN8BHxWyubSOIJ1IyQwsxaPnQ\u00a0\u00bb text=\u00a0\u00bbBNF \u00c9DITIONS\u00a0\u00bb margin_top=\u00a0\u00bb15″][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb disable_element=\u00a0\u00bbyes\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb 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Interacting With Print<\/h2>\n

Elements of reading in the era of print saturation[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574870848360{margin-bottom: 5px !important;}\u00a0\u00bb]\n

<\/h5>\n
The University of Chicago Press, 2018<\/h5>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1574870817171{margin-bottom: 30px !important;padding-right: 10% !important;}\u00a0\u00bb max_width=\u00a0\u00bb550″]The Multigraph Collective<\/p>\n

A thorough rethinking of a field deserves to take a shape that is in itself new.\u00a0Interacting with Print\u00a0<\/i>delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph\u2014rather, it is a \u201cmultigraph,\u201d the collective work of twenty-two scholars who together have assembled an alphabetically arranged tour of key concepts for the study of print culture, from Anthologies and Binding to Publicity and Taste.
\nEach entry builds on its term in order to resituate print and book history within a broader media ecology throughout the eighteenth and nineteenth centuries. The central theme is interactivity, in three senses: people interacting with print; print interacting with the non-print media that it has long been thought, erroneously, to have displaced; and people interacting with each other through print. The resulting book will introduce new energy to the field of print studies and lead to considerable new avenues of investigation.[\/vc_column_text][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.amazon.com\/Interacting-Print-Elements-Reading-Saturation\/dp\/022646914X\/ref=sr_1_1?keywords=interacting+with+print&qid=1574870910&sr=8-1″ text=\u00a0\u00bbAMAZON\u00a0\u00bb margin_top=\u00a0\u00bb15″][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.press.uchicago.edu\/ucp\/books\/book\/chicago\/I\/bo26175995.html?fbclid=IwAR3YrqdGQlErG2I75DeCUW18v3uC7zBCHiByye7ub0EO24aOMBxlCNYOntY\u00a0\u00bb text=\u00a0\u00bbUNIVERSITY OF CHICAGO BOOK PRESS\u00a0\u00bb margin_top=\u00a0\u00bb15″][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb disable_element=\u00a0\u00bbyes\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ 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Extraits de comptes rendus<\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb3%\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbgrow-in\u00a0\u00bb][nectar_single_testimonial testimonial_style=\u00a0\u00bbbasic\u00a0\u00bb image=\u00a0\u00bb978″ quote=\u00a0\u00bbInteracting with Print reminds us of print\u2019s capacity to disrupt as well as produce forms of allegiance\u2014to be an agent of instability as well as of standardization. The essays comprising this book are separately and together a pleasure to read. They are also unfailingly edifying. Collectively, the authors propose a new and persuasive account of how readers and viewers did things with print artifacts, both textual and visual, and the emphasis on interaction and intermediality that links these chapters complicates, to wonderful effect, prior works of book and cultural history.\u00a0\u00bb name=\u00a0\u00bbDeidre Lynch, Harvard University\u00a0\u00bb subtitle=\u00a0\u00bbPrivate Ivy League research university in Cambridge, Massachusetts, USA\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbgrow-in\u00a0\u00bb delay=\u00a0\u00bb150″][nectar_single_testimonial testimonial_style=\u00a0\u00bbbasic\u00a0\u00bb image=\u00a0\u00bb979″ quote=\u00a0\u00bbBrimming with fresh ideas and international in scope, Interacting with Print challenges received ideas about what print culture was–for instance, that it was equivalent to national culture, or that its primary relationships were those between author and reader or reader and book. The collaborators become both authors and editors at once as they excavate the relation of print to other media, people to print, and social actors to one another, and we find a many-faceted picture of print\u2019s interactive reach in a volume that vividly redraws the map of its material and intellectual history. The result is a textual and visual treat of collaborative scholarship, often exciting in the way it pushes the boundaries of media history.\u00a0\u00bb name=\u00a0\u00bbJon Klancher, Carnegie Mellon University\u00a0\u00bb subtitle=\u00a0\u00bbPrivate research university based in Pittsburgh, Pennsylvania, USA\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bottom_padding=\u00a0\u00bb3%\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb5\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbgrow-in\u00a0\u00bb delay=\u00a0\u00bb150″][nectar_single_testimonial testimonial_style=\u00a0\u00bbbasic\u00a0\u00bb image=\u00a0\u00bb978″ quote=\u00a0\u00bbIn focusing on a memorable set of keywords, the authors in this interdisciplinary collective have blended their voices\u2014and their many areas of expertise\u2014to offer an array of inspiring new perspectives on printing in the complex media ecology of 18th- and 19th-century Europe. Interacting with Print is excitingly innovative and productive in both form and content.\u00a0\u00bb name=\u00a0\u00bbAnn M. Blair, Harvard University\u00a0\u00bb subtitle=\u00a0\u00bbPrivate Ivy League research university in Cambridge, Massachusetts, USA\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/12″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb 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Exploring The Early Modern Underground<\/h2>\n

Freethinkers, Heretics, Spies[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1588086811191{margin-bottom: 5px !important;}\u00a0\u00bb]\n

<\/h5>\n
Honor\u00e9 Champion, Paris 2020<\/h5>\n[\/vc_column_text][vc_column_text css=\u00a0\u00bb.vc_custom_1588086832501{margin-bottom: 30px !important;padding-right: 10% !important;}\u00a0\u00bb max_width=\u00a0\u00bb550″]Issus du s\u00e9minaire international des jeunes dix-huiti\u00e9mistes qu\u2019organise la Soci\u00e9t\u00e9 internationale d\u2019\u00e9tude du dix-huiti\u00e8me si\u00e8cle, les treize articles r\u00e9unis dans ce volume rel\u00e8vent d\u2019une pluralit\u00e9 de disciplines, depuis l\u2019histoire des id\u00e9es et l\u2019histoire sociale jusqu\u2019\u00e0 la philosophie et aux \u00e9tudes portant sur la litt\u00e9rature ou le genre. \u00c0 ce caract\u00e8re interdisciplinaire de l\u2019ouvrage s\u2019ajoute une dimension pleinement europ\u00e9enne et atlantique, puisque s\u2019y trouvent pris en compte l\u2019Europe occidentale, la Russie, les Polonais \u00e0 Paris, l\u2019antis\u00e9mitisme dans les manuscrits clandestins, etc. Cette diversit\u00e9 des approches et des objets refl\u00e8te non seulement l\u2019h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 constitutive du XVIIIe<\/sup>\u00a0si\u00e8cle, mais elle met aussi en \u00e9vidence l\u2019int\u00e9r\u00eat \u00e9minent que repr\u00e9sente l\u2019\u00e9tude de ses marges. \u00c0 ce titre, cet ouvrage repr\u00e9sente pleinement la mani\u00e8re dont une nouvelle g\u00e9n\u00e9ration de chercheurs r\u00e9invente la recherche historique actuelle.<\/p>\n

Les \u00e9diteurs scientifiques du volume, Sophie Bisset (Sussex), Marie- Claude Felton (Montr\u00e9al) et Charles Wolfe (Gand), sont chercheurs en histoire des id\u00e9es et en philosophie.<\/em>[\/vc_column_text][nectar_btn size=\u00a0\u00bblarge\u00a0\u00bb open_new_tab=\u00a0\u00bbtrue\u00a0\u00bb button_style=\u00a0\u00bbsee-through-3″ color_override=\u00a0\u00bb#ff1053″ hover_color_override=\u00a0\u00bb#ff1053″ hover_text_color_override=\u00a0\u00bb#ffffff\u00a0\u00bb icon_family=\u00a0\u00bbdefault_arrow\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.honorechampion.com\/fr\/champion\/11283-book-08535346-9782745353467.html?fbclid=IwAR1vlLFJfM-_3PZ6U65k4jkfRiBQMvB7YSGx04kI4_t94OHripfHDpl3WhQ\u00a0\u00bb text=\u00a0\u00bbHONOR\u00c9 CHAMPION\u00a0\u00bb margin_top=\u00a0\u00bb15″][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb disable_element=\u00a0\u00bbyes\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ background_image=\u00a0\u00bb740″ background_image_position=\u00a0\u00bbcenter center\u00a0\u00bb enable_bg_scale=\u00a0\u00bbtrue\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#110e01″ bg_image=\u00a0\u00bb1061″ bg_position=\u00a0\u00bbcenter center\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb9%\u00a0\u00bb bottom_padding=\u00a0\u00bb8%\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb color_overlay=\u00a0\u00bb#000000″ overlay_strength=\u00a0\u00bb0.8″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb40″][vc_column_text]\n

PUBLICATIONS<\/h3>\n

 <\/p>\n

Monographie<\/h3>\n

Marie-Claude Felton, Ma\u00eetres de leurs ouvrages: l\u2019\u00c9dition \u00e0 compte d\u2019auteur \u00e0 Paris au XVIIIe<\/sup> si\u00e8cle,<\/em> Preface by Roger Chartier, Oxford University Studies in the Enlightenment (Oxford, Voltaire Foundation, 2014).<\/p>\n

http:\/\/www.voltaire.ox.ac.uk\/book\/maitres-de-leurs-ouvrages<\/a><\/p>\n

Articles<\/h3>\n

Marie-Claude Felton, \u00ab Women Writers as Literary Entrepreneurs in Pre-Revolutionary Paris \u00bb, Bibliologia: International Journal of Bibliography, Library Science, History of Typography and the Book<\/em>, 10 (2015), p. 23-52.<\/p>\n

https:\/\/www.dropbox.com\/s\/tlq6kpoxrxwqvta\/felton%20bibliologia-complete.pdf?dl=0<\/a><\/p>\n

Marie-Claude Felton, \u00ab\u00a0The Case of Self-Publishing Science Amateurs and their Quest for Authority in 18th<\/sup>-century Paris: An Introduction to Fringe Science in Print: Authority, Knowledge, and Publication, 16th-<\/sup>-19th<\/sup> century\u00a0<\/em>\u00bb, M\u00e9moires du<\/em> livre\/ Studies in book culture<\/em>, 6 : 1 (Fall 2014).<\/p>\n

https:\/\/www.erudit.org\/en\/journals\/memoires\/2014-v6-n1-memoires01615\/1027687ar\/<\/a><\/p>\n

Marie-Claude Felton, \u00ab The Enlightenment and the Modernization of Authorship: the Case of Self-Publishing Authors in Paris (1750-1791) \u00bb, The Papers of the Bibliographical Society of America<\/em>, 105\u00a0: 4 (December 2011), p. 439-67.<\/p>\n

https:\/\/www.dropbox.com\/s\/02zgj678gp1wfap\/Felton-self-pub.pdf?dl=0<\/a><\/p>\n

Marie-Claude Felton, \u00a0\u00ab When Authors Made<\/em> Books: A First Look at the Content and Form of Self-published Works in Paris (1750-1791)\u00a0\u00bb, European Review of History \/ Revue europ\u00e9enne d\u2019histoire<\/em>, 17\u00a0: 2 (April 2010), p. 241-263.<\/p>\n

https:\/\/www.dropbox.com\/s\/z389sdetwne4wfn\/Felton_article-libre.pdf?dl=0<\/a><\/p>\n

Ouvrages collaboratifs<\/h3>\n

Marie-Claude Felton, Jean-Dominique Mellot, \u00c9lisabeth Queval (\u00e9d.), La Police des m\u00e9tiers du livre \u00e0 paris au si\u00e8cle des Lumi\u00e8res. <\/em>Historique des Libraires et Imprimeurs de Paris existans en 1752 de l\u2019inspecteur Joseph d\u2019H\u00e9mery, <\/em>\u00c9dition critique, Pr\u00e9face de Robert Darnton, Paris, \u00c9ditions de la Biblioth\u00e8que nationale de France, 2017, 560 p.<\/p>\n

http:\/\/editions.bnf.fr\/en\/node\/3099<\/a><\/p>\n

Andrew Piper et al<\/em>. (\u00e9d.) Interacting with Print\u00a0: Elements of Reading in the Ear of Print Saturation, <\/em>Chicago, The University of Chicago Press, 2017, 416 p. https:\/\/www.press.uchicago.edu\/ucp\/books\/book\/chicago\/I\/bo26175995.html<\/a><\/p>\n

Num\u00e9ro de revue et Volume collectif<\/h3>\n

Marie-Claude Felton (ed.), \u00ab Science, Authority and Print \/ Science, autorit\u00e9 et l\u2019imprim\u00e9 \u00bb, M\u00e9moires du livre\/ Studies in <\/em>book culture<\/em>, 6\u00a0: 1 (Fall 2014).<\/p>\n

https:\/\/www.erudit.org\/en\/journals\/memoires\/2014-v6-n1-memoires01615\/<\/a><\/p>\n

Sophie Bisset, Marie-Claude Felton, Charles T. Wolf (ed.), Exploring the Early Modern Underground: Freethinkers, <\/em>Herectics, Spies \/ La face cach\u00e9es des Lumi\u00e8res: libres penseurs, h\u00e9r\u00e9tiques, espions<\/em>, \u00ab\u00a0Lumi\u00e8res internationales\u00a0\u00bb (Paris, Champion, 2020<\/em>).<\/p>\n

https:\/\/www.honorechampion.com\/fr\/champion\/11283-book-08535346-9782745353467.html<\/a><\/p>\n

Comptes rendus\u00a0<\/em><\/h3>\n

Livres<\/u><\/em><\/strong><\/h4>\n

Pierre Escud\u00e9. Imprimerie et pouvoir. Politique, livre et langue \u00e0 Toulouse de 1475 \u00e0 1617. Gen\u00e8ve : Droz, 2017; The <\/em>Renaissance Quarterly<\/em>, Vol. 71 (no. 3) Fall 2018.<\/p>\n

Sylvie Ducas (ed.), Les Acteurs du Livre<\/em>. Paris: Nicolas Maltais, 2012; De Gulden Passer<\/em>, 90\u00a0: 2 (2012), p. 223-227.<\/p>\n

Fr\u00e9d\u00e9ric Barbier. Histoire des biblioth\u00e8ques. D\u2019Alexandrie aux biblioth\u00e8ques virtuelles<\/em>, Paris, Armard Colin, 2013;<\/p>\n

Papers of the Bibliographical Society of Canada<\/em>, 53\u00a0: 1, (2015), p. 131-133.<\/p>\n

Colloque<\/u><\/em><\/strong>\u00a0: <\/em><\/p>\n

Marie-Claude Felton, \u00ab\u00a0Conference review\u00a0: Books on the Cutting Edge\/Le livre \u00e0 l\u2019avant-garde, Annual conference of the Canadian Association for the Study of Book Culture, University of Victoria, June 4-5 2013\u00a0\u00bb, SHARP News<\/em>, 22\u00a0: 4, p. 16-17.<\/p>\n

Articles de bloques acad\u00e9miques<\/h3>\n

\u00a0<\/em>Marie-Claude Felton, \u00ab\u00a0Savants, Peer Review, and Self-Publishing in 18th<\/sup>-century Paris\u00a0\u00bb, University of Illinois Program for Research in the Humanities<\/em> (20 April 2014).<\/p>\n

https:\/\/iprh.wordpress.com\/2014\/04\/20\/savants-peer-review-and-self-publishing-in-18th-century-france\/<\/a><\/p>\n

Marie-Claude Felton, \u00ab\u00a0L\u2019Auto\u00e9dition: ph\u00e9nom\u00e8ne r\u00e9cent depuis le XVIIIe<\/sup> si\u00e8cle\u00a0\u00bb, Voltaire Foundation: A Collaborative <\/em>Blog about the Enlightenment <\/em>(6 March 2014)<\/p>\n

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